2022 Post #5 -- What I Learned

by Amy Ludwig VanDerwater

Every year, I send the same poem to my mother on March 8, her birthday. The poem is Julia Kasdorf’s What I Learned from My Mother. It is a list poem, and it begins with practical tips for life such as “...have plenty of vases on hand/in case you have to rush to the hospital/with peonies cut from the lawn” and ends with the big learning, “To every house you enter, you must offer/healing: a chocolate cake you baked yourself,/the blessing of your voice, your chaste touch.”

The speaker of this poem honors the mother with each chosen list item. We readers understand this mother, though nowhere are we told, “My mother was thoughtful.” After the last line, we are left to wonder if the mother is living or dead. Does it matter? Would the speaker remember differently if things were different now?

While this poem strikes a tone of love, “What I Learned” lines can be playful or serious, sad or curious:


I learned from my friend how to make bean soup for winter days.

I learned from onions how to let my sad old tears go free.

I learned from my dog that our backyard has thousands of smells!

I learned from my friend that forgiveness can hold anger in its arms.

I learned from the sky how to change every morning and still be me.


As poet, you may choose to write a one-person list poem as Julia Kasdorf did, or instead, you might make a “What I Learned” list in your notebook and then choose just one item to build a poem around.

Fine tune the interplay of meaning and sound of your poem by reading it aloud as you write and revise and revise again…

What have you learned? What will you learn next?

Further Reading: 

Amy Ludwig VanDerwater is a writing teacher and author of books for children and teachers. In person, you can find her at home in Western New York, and you can find her online HERE.

2021 Post #16 -- A Meditation on the Wild Things

 by Brett Vogelsinger

Listing images, objects, and ideas in our Writer's Notebook is always a fun way to get the internal gears turning and ready to write. To introduce Wendell Berry's poem "The Peace of Wild Things," I start by asking my students to write "wild things" in their notebooks and take two minutes to list anything that comes to mind under that heading.  Under the document camera, I start my own list each period. 

A toddler throwing a tantrum?  A rushing river? Yellowstone?  Animal from The Muppets? A herd of deer?  A raucous concert? (And yes, I might be slipping in a review of our recent vocabulary word "raucous" on that last one!)

It's intriguing how the word "wild" can bring to mind things that are quiet or loud, outdoors or indoors, human or otherwise.  

We watch the video animation of Wendell Berry's poem, read by the poet:

We watch the poem a second time, and this time I encourage students to start a second list, this time capturing a few key words that they find striking in the poem.  Words like heron, grief, day-blind, and grace might make their lists. 

Briefly, we discuss this: Can things be at the same time wild and peaceful? How is it that the poem refers to wild things and is yet so still?  

It is not uncommon for Maurice Sendak's Where the Wild Things Are to come up in this conversation. 

Finally, in our notebooks, we take a few minutes to write about one of the wild things on our list.  There is no pressure to make our words take the form of a poem or sound anything like Wendell Berry's. His poem is a backdrop for our thinking.  

I do invite students to consider whether there is something surprising or ironic about the wild thing they chose to elaborate on in their notebooks.  Might they borrow one of Wendell Berry's words we listed to write about it? Do they find peace in their wild thing, or something else?  

Further Reading:

Brett Vogelsinger is a ninth grade English teacher and NBCT at Holicong Middle School in Doylestown, PA. He is the founding editor of Go Poems, facilitates his school's literary magazine, Sevenatenine, and contributes monthly posts at Moving Writers. Follow him on Twitter @theVogelman.

2020 Post #29 -- What Is Your House?

by Brett Vogelsinger

It is unprecedented to include two poems by the same poet in a single, annual series of Go Poems posts, but since "unprecedented" is the word of the day, it seems fitting.

Earlier this month, I shared how Idris Goodwin's poem "Say My Name" can inspire students to write about their own names.

Just days ago, Goodwin released a new poem, dedicated to all the children and parents trying to stay productive, creative, and sane while stuck at home.  It echoes the ideas about our human need to be creative that we read earlier this week in "Things to Do in the Belly of the Whale," but this time in practical, spot-on terms that children and adults need to hear in the spring of 2020.

Today's poem is called "Your House Is Not Just a House."

A challenge we might bring to students in a quickwrite during a live teaching session or via an online learning management system:  What is your house?  In what ways is it not "just a house" right now?

Share this poem and this prompt to see what your students create!

Further Reading:

Brett Vogelsinger is a ninth-grade English teacher at Holicong Middle School in Bucks County, PA.  He has been starting class with a poem each day for the past ten years. He is the creator of the Go Poems blog and the author of Poetry Pauses: Teaching With Poems to Elevate Writing in All Genres.   Find him on Twitter @theVogelman.

2020 Post #25 -- A Poetic To-Do List

by Brett Vogelsinger

This week, two inspiring, creative educators -- Austin Kleon and Katherine Schulten -- brought a poem back to the surface of my attention that I had forgotten about for some time.  "Things to Do in the Belly of the Whale" by  Dan Albergotti is a bittersweet look at what we can do with a period of confinement, ennui, boredom.  In times like these, the poem feels both realistic and empowering; it is a poem that wears a wry grin. 

I brought this poem to my students during a live class meeting via video conference this week and asked a quick question after our first read. "Why do you think I chose this poem to read with you now?" Of course, that was an easy pitch, and students had no problem identifying links between the idea of being stuck "in the belly of the whale" and being confined during this period of stay-at-home orders and mass quarantine.  Fewer of them, though, were aware of the biblical allusion in the title, to the book of Jonah. 

A student read the poem a second time on our video conference, and I proposed this question: "What do you notice about the structure of this piece?  How is it built?" Your students may note the fact that is is a "to do list," it is made up of short sentences, and that each sentence begins with a verb, the grammatical structure of a command.  One student pointed out to my class that the first few items seem realistic, and the poem seems to become more whimsical, then more philosophical as the list progresses.  I thought this was a particularly astute observation.  

"Let's try writing one like this!" I said to my students.  "Call it something like 'Things to Do While Stuck at Home' or 'Things to Do During COVID-19.'  There is one catch.   Let's take the first three things that come to your mind and exclude them from our list.  We want to avoid stating the obvious in poetry."  All classes chose the same three things to exclude:  sleeping, watching TV, and playing video games.  

After a few minutes of drafting, I gave them an assignment to complete after our video conference class time ended.  Students could revise their first drafts and post the revised version on a collaborative writing space on OneNote.  I would provide feedback for everyone's revised drafts before next week.  

Here are some memorable excerpts, written by my students: 

Paint the walls. Sing in the shower. Pull weeds from the dirt. Buy a blanket to cuddle up in. Go for a run. Laugh with joy when you're with your family. -- Brielle G. 

Make your bed
Wash your clothes
Dust everything in your room
Because apparently
Your room is disgusting
Although you don't see it
Anyway
Build something with wood and nails
Doesn't matter what it is, just build
And finally
Make your family LAUGH -- Christian P. 

Pace the concrete sidewalk. Walk among the trees. Get out and live a little.
Try something new. Change your surroundings.
Look up and open your eyes. See the world around you. Move outside your bubble. -- Shayne S.

I am grateful for how this poem helped me to see my students' present situations and perspectives while also allowing us to talk about poetic structure, theme, and grammar.  It brought us back to a Writer's Notebook style of response that I have missed since our last day of school, which was refreshing and necessary and lively.  

Further Reading: 

Brett Vogelsinger is a ninth-grade English teacher and NBCT at Holicong Middle School in Doylestown, PA.  He is the founding editor of Go Poems, facilitates his school's literary magazine, Sevenatenine, and contributes monthly posts at Moving Writers.  You can find him on Twitter @theVogelman.  

2020 Post #3 -- Sarah Kay and the Power of Lists

by Candace Brobst

Sarah Kay has the power to convince even the most jaded students among us that poetry isn’t so bad. She is both poet and hypnotist, and April is a time when teachers are perhaps more in need of the latter. To be honest, there are days in April where T.S. Eliot’s “The Waste Land” doesn’t seem so bad.

I teach Seniors, by choice I might add, not because my school’s administration is trying to punish me. And by April, student engagement is waning. Seniors have grabbed the nearest scissors, and they are cutting their own umbilical cords to anything school related. Younger students are no doubt also feeling the restlessness of spring, the home stretch, whatever. I like to capture that I-have-something-to-say-before-I-go energy with Sarah Kay’s “If I Should Have a Daughter…” TED Talk.

The entire TED Talk (18 minutes) is a you-can-do-this tutorial and inspiration for writing performance poetry so if you have a whole period, keep going. Have students become the virtual participants in Kay’s master class. There’s even another great poem at the end.

But if time is short, and you are trying to follow Brett’s lead with this poem-a-day challenge, just play the poem (the first three and a half minutes of the TED Talk). Kay assumes the role of an imaginary mother giving advice to her imaginary daughter. In the spirit of the poem, direct students to become the sages (a.k.a. mothers 😉). Have them create a quick list, as in: “Things I Know to be True” or “I Wish I had Known…” From there, Pair-Share, throw ideas on the whiteboard, or make a Nearpod Collaborate! Board.

Seniors in particular can do this as a culminating reflection on high school. Start with a list they can ultimately use to write letters to younger versions of themselves, armed with what they now know… things like: “Don’t wait until Senior year to take that first art elective” or “Audition for the musical; you are going to meet your best friends.” One year, my school (graduating class around 1000 students) had Seniors write letters of advice to incoming Freshmen. Distributing them was a logistical nightmare (one we never repeated), but it may work better in smaller districts.  

Further Reading:

Candace Brobst (brobstc@parklandsd.org) teaches English and Creative Writing at Parkland High School in Allentown, PA. She very much enjoys receiving assignments from former students.

Postscript: OK, OK, this is Brett writing now and I need to explain the last line of that bio . . . Candace Brobst is my high school creative writing teacher and one of the MAJOR early influences. My love of reading and writing poetry owes so much to this wonderful teacher, and I feel so honored that she agreed to write a post to my blog project.