2022 Post #5 -- What I Learned

by Amy Ludwig VanDerwater

Every year, I send the same poem to my mother on March 8, her birthday. The poem is Julia Kasdorf’s What I Learned from My Mother. It is a list poem, and it begins with practical tips for life such as “...have plenty of vases on hand/in case you have to rush to the hospital/with peonies cut from the lawn” and ends with the big learning, “To every house you enter, you must offer/healing: a chocolate cake you baked yourself,/the blessing of your voice, your chaste touch.”

The speaker of this poem honors the mother with each chosen list item. We readers understand this mother, though nowhere are we told, “My mother was thoughtful.” After the last line, we are left to wonder if the mother is living or dead. Does it matter? Would the speaker remember differently if things were different now?

While this poem strikes a tone of love, “What I Learned” lines can be playful or serious, sad or curious:


I learned from my friend how to make bean soup for winter days.

I learned from onions how to let my sad old tears go free.

I learned from my dog that our backyard has thousands of smells!

I learned from my friend that forgiveness can hold anger in its arms.

I learned from the sky how to change every morning and still be me.


As poet, you may choose to write a one-person list poem as Julia Kasdorf did, or instead, you might make a “What I Learned” list in your notebook and then choose just one item to build a poem around.

Fine tune the interplay of meaning and sound of your poem by reading it aloud as you write and revise and revise again…

What have you learned? What will you learn next?

Further Reading: 

Amy Ludwig VanDerwater is a writing teacher and author of books for children and teachers. In person, you can find her at home in Western New York, and you can find her online HERE.

2020 Post #8 -- If

by Amy Ludwig VanDerwater

Sometimes the most difficult part of writing is revising. Sometimes the most difficult part of writing is feeling brave enough to share one’s own words with another. And sometimes the most difficult part of writing is getting started.

Try beginning a poem draft with one word -- the word "if." For when these two letters combine in this order -- i and then f -- worlds shift and change. We can lead with an if tied to a wonder...or an if clinging to a hope. We can write about our lived lives or imagined worlds. We can write about history or about today or about a future near or far from now. We can write about serious subjects and about lighthearted subjects. An if poem can include one if or many.


If you and I had never met…

If my mother was a koala bear…

If he found a rock and if the rock could talk…

If forgiveness was easy...

If someday our grandchildren live on the moon…

If you helped build the pyramids…


Starting a draft with this wee word, we can then choose to write in the first person (I or we), the second person (you), or the third person (he/she/they). Each choice matters.

The first three stanzas of Truth - from my newest book, WRITE! WRITE! WRITE!, beautifully illustrated by Ryan O’Rourke - leads with "if."

From Write, Write, Write! by Amy Ludwig VanDerwater, 2020, linked below. 

In my poem Like Windowpanes, I use the word only once, to invite a reader in.

In his famous poem titled "If," Rudyard Kipling repeats this gem of a word again and again, each time layering its meaning with more love and possibility, as the kinetic typography video below demonstrates well:

Read the whole poem HERE

It can be lovely to be handed a beginning. “Start here,” a friend says. And somehow, with a trusted soul holding this literary door for us, we do.

Further Reading: 

Amy Ludwig VanDerwater is author of several books for children including FOREST HAS A SONG, EVERY DAY BIRDS, READ! READ! READ!, DREAMING OF YOU, WITH MY HANDS: POEMS ABOUT MAKING THINGS, and her most recent WRITE! WRITE! WRITE! She is also author of the professional book POEMS ARE TEACHERS: HOW STUDYING POETRY STRENGTHENS WRITING IN ALL GENRES. Amy lives in an old farmhouse in Western New York, and blogs poetry and lessons at www.poemfarm.amylv.com.



P. S.
A GIVEAWAY!
Boyds Mills & Kane will generously offer a copy of Write, Write, Write! to a commenter on this post. Be sure to include your Twitter handle or email address so that Brett can contact you. Winner announced 3/24/20 on Twitter. 

2019 Post #15 -- Sing That Poem!

by Amy Ludwig VanDerwater

Click to Enlarge Image

Sometimes I find my way into a poem through the window of meter. I adore playing with meter, but when I find myself relying too heavily on the same syllable counts again and again, I turn to songs.

If you wish to write with meter but do not know where to begin, choose a song, any song: "Twinkle Twinkle" or "Happy Birthday" or "Three Blind Mice." Or don’t choose a song but instead, choose a poem with a meter you like and want to try. Write it out. Then, count out the syllables and mark the stresses.

Next or first, select a topic, maybe something new or perhaps something you have already written about but wish to try in a new form. Now, on a fresh page of your notebook, write the syllable counts down the left column of your page. Experiment with writing within this syllable and stress constraint. You may choose to vary a bit, or you may not, but either way, you will have tried something new. And to test if the meter works, sing your words to the tune of the song. Listen carefully and revise based what you hear.

In April 2015, I wrote from a different song meter each day. One of these poems ended up in my book With My Hands (Clarion, 2018). I always tell students that books have secrets, and one secret of With My Hands is that "Painting" (found in the image above) can be sung to the tune of "I’ve Been Working on the Railroad!"

Part of the work of a writer is stretching oneself. Experimenting with meter and song is one way to do this.

Further Reading:

Amy Ludwig VanDerwater is author of books including FOREST HAS A SONG, EVERY DAY BIRDS, READ! READ! READ!, DREAMING OF YOU, WITH MY HANDS, and POEMS ARE TEACHERS. Amy lives in Holland, NY, blogs for young writers at The Poem Farm and Sharing Our Notebooks, posts on Twitter @amylvpoemfarm, and visits classrooms all around.