Showing posts with label quickwrite. Show all posts
Showing posts with label quickwrite. Show all posts

Tuesday, March 30, 2021

2021 Post #16 -- A Meditation on the Wild Things

 by Brett Vogelsinger

Listing images, objects, and ideas in our Writer's Notebook is always a fun way to get the internal gears turning and ready to write. To introduce Wendell Berry's poem "The Peace of Wild Things," I start by asking my students to write "wild things" in their notebooks and take two minutes to list anything that comes to mind under that heading.  Under the document camera, I start my own list each period. 

A toddler throwing a tantrum?  A rushing river? Yellowstone?  Animal from The Muppets? A herd of deer?  A raucous concert? (And yes, I might be slipping in a review of our recent vocabulary word "raucous" on that last one!)

It's intriguing how the word "wild" can bring to mind things that are quiet or loud, outdoors or indoors, human or otherwise.  

We watch the video animation of Wendell Berry's poem, read by the poet:


We watch the poem a second time, and this time I encourage students to start a second list, this time capturing a few key words that they find striking in the poem.  Words like heron, grief, day-blind, and grace might make their lists. 

Briefly, we discuss this: Can things be at the same time wild and peaceful? How is it that the poem refers to wild things and is yet so still?  

It is not uncommon for Maurice Sendak's Where the Wild Things Are to come up in this conversation. 

Finally, in our notebooks, we take a few minutes to write about one of the wild things on our list.  There is no pressure to make our words take the form of a poem or sound anything like Wendell Berry's. His poem is a backdrop for our thinking.  

I do invite students to consider whether there is something surprising or ironic about the wild thing they chose to elaborate on in their notebooks.  Might they borrow one of Wendell Berry's words we listed to write about it? Do they find peace in their wild thing, or something else?  

Further Reading:



Brett Vogelsinger is a ninth grade English teacher and NBCT at Holicong Middle School in Doylestown, PA. He is the founding editor of Go Poems, facilitates his school's literary magazine, Sevenatenine, and contributes monthly posts at Moving Writers. Follow him on Twitter @theVogelman.

Sunday, March 28, 2021

2021 Post #14 -- Memories of Home

by Suzanne Dailey

Stories are hidden in the nooks and crannies of our home. Oftentimes, these stories happen when we are doing ordinary things.

I remember my family room growing up. Brown carpet with designs pressed into the surface, covering an original wood floor from the 1800s and dark paneling from the 1970s. And the little space near the downstairs closet that was the p-e-r-f-e-c-t hiding spot for jumping out at someone and scaring my brother – especially when he was carrying something in his hands!

My favorite room was our kitchen tucked in the back of the house. Yellow linoleum floor, cream colored stove, and cabinets that never fully shut, especially in the winter. Yellow linoleum floor, cream colored stove, and cabinets that never fully shut, especially in winter. It’s where I smelled apple pie in autumn, assembled gingerbread houses in winter, dyed Easter eggs in spring, and snuck popsicles in summer.

We spend a lot of time at home making memories that stay in our hearts forever. Some fill our hearts, and some break them.

What are the emotions or memories that live in your home? Maybe it’s a moment of love or a rainy day or the sound of music or a time you heard lifechanging news. Some of these emotions or memories may come to you easily, while some of you may need help accessing the stories in your minds and hearts.

As a class, read the poem "Daily" by Naomi Shihab Nye.

After sharing the poem, I might say to students, "Try drawing your house and jot down some of the memories you’ve created in the space you call home. Then find a story that’s hidden in the nooks and crannies of your home. Some memories may be seemingly insignificant at first glance, like my memory of sneaking popsicles in the kitchen each summer. But if you get still and really think about it, there are stories there."

I remember enjoying that popsicle sitting under our “snowball tree” dressed in terrycloth shorts, grass-stained bare feet, and a blue t-shirt from my Grandpa that said, I’m a Georgia Peach! Some of my favorite memories from home are in my backyard as a young kid. It’s why I find so much peace in nature as an adult.

Draw your home, get still, and find the stories hidden in the nooks and crannies. Your heart will thank you.

Using a document camera/blank document, model drawing a part of your home, and as you draw, naturally tell a summarized story that “lives” in those areas.

Set a timer for about 5-7 minutes, so students can draw their home. As they are drawing, create a quick write for one of the stories you shared earlier using the format of "Daily": 

These meals we eat
gathered around the garage sale refinished table

These games we play and play until there’s a winner
Tattered boxes with missing pieces in the living room


After students have drawn their home, share your quick write and invite them to do a 3-4 minute quick write as well. As they are writing, choose another story from your home and do an additional quick write.

Invite students to share their quick write, asking classmates share a question or compliment. Invite students to do an additional quick write for another space at their home (inside or outside!) to see if there is a possible story hidden in their home.

Further Reading: 


Suzanne Dailey is a staff developer in the Central Bucks School District.  You can learn more about her work at www.suzannedailey.com and check out her Teach Happier podcast.  

Wednesday, April 1, 2020

2020 Post #18 -- I Am and I Am Not

by Linda Rief

COVID 19 has shut down many schools for the next few weeks, preventing so many of you from participating in those activities that make the school experience so important to you: athletics, drama, musicals, jazz band, orchestra, Mathcounts, Robotics, outdoor ed, community volunteer work, etc.

As you read the following excerpt think of the “Try This…” prompts in terms of what you are experiencing right now, at home or at school. You could start with the line “I am a… but…” or grab any one of the ideas and write as fast as you can, outrunning the censor in you that often stops the writing.

Read the poem out loud to yourself once. Then read the prompts underneath the excerpt, to see which one appeals to you the most. Then read the excerpt again, and write nonstop as quickly as you can for two to three minutes in response to any of the prompts. You are writing to find writing, trusting that the process will lead you to some surprises, some things you didn’t expect to write.

An Excerpt from Chapter 2 from The Running Dream (Van Draanen)

(from The Quickwrite Handbook, 2018, Heinemann)

I AM A RUNNER.

That’s what I do.

That’s who I am.

Running is all I know, or want, or care about.

It was a race around the soccer field in third grade that swept me into a real love of running.

Breathing the sweet smell of spring grass.

Sailing over dots of blooming clover.

Beating all the boys.

After that, I couldn’t stop. I ran everywhere. Raced everyone. I loved the wind across my cheeks, through my hair.

Running aired out my soul.

It made me feel alive.

And now?

I’m stuck in this bed, knowing I’ll never run again.



Try This (as quickly and as specifically as you can for 2-3 minutes):



Write out anything this excerpt brings to mind for you.

Borrow any line and write as fast as you can, letting the line lead your thinking.

Think about something you are passionate about (something that “airs out your soul,” “makes you feel alive”) and write down everything that makes this activity so important to you.

Start with the line “I AM A ___________ ", and fill in the blank, describing all that you do, think, feel, experience while doing this activity.

Change the line to “I am not a ____________", expanding on all the reasons why you are not whatever it is.

Her last two lines say she will never run again. What has stopped you, or has halted you temporarily, from doing something you love doing?


After finishing this one quickwrite, go back to see if there is a line or a phrase you want to slow down and develop. Write more. Or simply take some time to extend what you said in only two to three minutes.

Further Reading:




Linda left the classroom (reluctantly) last June (2019) after 40 years of learning from eighth graders. She misses their energy, their curiosity, and their desire to read and write. She is an instructor in the University of New Hampshire's Summer Literacy Institute and a national and international presenter on issues of adolescent literacy. Her latest two books are The Quickwrite Handbook (2018) and Read Write Teach (2014), both published through Heinemann. Her Twitter handle is @LindaMRief.

Sunday, March 22, 2020

2020 Post #8 -- If

by Amy Ludwig VanDerwater

Sometimes the most difficult part of writing is revising. Sometimes the most difficult part of writing is feeling brave enough to share one’s own words with another. And sometimes the most difficult part of writing is getting started.

Try beginning a poem draft with one word -- the word "if." For when these two letters combine in this order -- i and then f -- worlds shift and change. We can lead with an if tied to a wonder...or an if clinging to a hope. We can write about our lived lives or imagined worlds. We can write about history or about today or about a future near or far from now. We can write about serious subjects and about lighthearted subjects. An if poem can include one if or many.


If you and I had never met…

If my mother was a koala bear…

If he found a rock and if the rock could talk…

If forgiveness was easy...

If someday our grandchildren live on the moon…

If you helped build the pyramids…


Starting a draft with this wee word, we can then choose to write in the first person (I or we), the second person (you), or the third person (he/she/they). Each choice matters.

The first three stanzas of Truth - from my newest book, WRITE! WRITE! WRITE!, beautifully illustrated by Ryan O’Rourke - leads with "if."

From Write, Write, Write! by Amy Ludwig VanDerwater, 2020, linked below. 


In my poem Like Windowpanes, I use the word only once, to invite a reader in.


In his famous poem titled "If," Rudyard Kipling repeats this gem of a word again and again, each time layering its meaning with more love and possibility, as the kinetic typography video below demonstrates well:



Read the whole poem HERE

It can be lovely to be handed a beginning. “Start here,” a friend says. And somehow, with a trusted soul holding this literary door for us, we do.

Further Reading: 



Amy Ludwig VanDerwater is author of several books for children including FOREST HAS A SONG, EVERY DAY BIRDS, READ! READ! READ!, DREAMING OF YOU, WITH MY HANDS: POEMS ABOUT MAKING THINGS, and her most recent WRITE! WRITE! WRITE! She is also author of the professional book POEMS ARE TEACHERS: HOW STUDYING POETRY STRENGTHENS WRITING IN ALL GENRES. Amy lives in an old farmhouse in Western New York, and blogs poetry and lessons at www.poemfarm.amylv.com.



P. S.
A GIVEAWAY!
Boyds Mills & Kane will generously offer a copy of Write, Write, Write! to a commenter on this post. Be sure to include your Twitter handle or email address so that Brett can contact you. Winner announced 3/24/20 on Twitter. 

Wednesday, March 18, 2020

2020 Post #4 -- Beautiful Words and A Call to Write

by Molly Rickert

This activity is used to discuss word choice and tone. It can also be used as a warm-up to get students to write…anything…to begin class.
I read the poem "Drum Dream Girl" by Margarita Engle aloud to students and ask students to make a list of the beautiful words and phrases they hear. When we finish reading, we discuss the main idea of the poem: Who is Drum Dream Girl? How would you describe her and why?
Then, we compile a class list of our beautiful words. We notice the use of verbs and discuss how the use of verbs carries the main idea of the poem and the tone of the poem.
Students then respond to the poem. They are encouraged to respond in any way they would like (stream of consciousness, poem, narrative, etc.) I give them a few writing ideas/options:

  • Choose a line and write about it in any way. 
  • Create a poem about something you are passionate about, using the collected words and phrases where possible.
  • Write about a time you were told you were told you couldn’t do something but persevered.
  • Write about a dream you have and what you would do to accomplish this dream.


Further Reading:





Molly Rickert is a seventh grade English teacher in Bucks County. Follow her on Twitter @mrickertCB